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................,,,,,,,,,,,,,,,...............,,....BIBLIOGRAPHIC REFERENCES....................................................

 

:: PUBLISHED BY THE PROJECT


Já publicados

Rodrigo Vilhena (2010). Solaris. Sistema Beta Pictoris. Lisboa: Fim de Século, 96 pp.

Olga Pombo e Silvia Di Marco (Org.) (2010). As Imagens com que a Ciência se Faz. Lisboa: Fim de Século, 286 pp.

Olga Pombo, Silvia Di Marco e Marco Pina (Org.) (2010). Neuroaesthetics. Can Science Explain Art? Lisboa: Fim de Século, 175 pp.

João Araújo (2010). As cidades, os castelos e a onda - imagens, diagramas e metáforas entre Calvino, Escher e Bohr. Colecção A Imagem na Ciência e na Arte. Lisboa: Fim de Século, 151 pp.

Olga Pombo e Alexander Gerner (Eds.) (2010), Studies in Diagrammatology and Diagram Praxis. London: College Publications, 240 pp.

Ana Gaspar (2010). Entre o Conceito e a Imagem. O lugar da Psicanálise na obra de Gaston Bachelard. Colecção Thesis n.º 5. Lisboa: CFCUL, 158 pp.

Nuno Carvalho (2009), A imagem-sensação: Deleuze e a pintura. Colecção Thesis nº 2, Lisboa: CFCUL, 103 pp.

Ana Gaspar (Ed.) (2008), Bachelard: Epistemologia, Ciência e Poética. Caderno de Filosofia das Ciências n.º 6, Lisboa: CFCUL, 188 pp.


In press

Catarina Nabais. L' Esthétique en tant que Philosophie de la Nature. Paris: L'Harmattan

Olga Pombo e Marco Pina (Eds.) Em torno de Darwin. Lisboa: Fim de Século

Cristina Azevedo Tavares (Ed.) O Desenho do Corpo na Arte e na Ciência. Lisboa: Fim de Século

Olga Pombo e Marco Pina (Eds.), Lugares e Modelos. Lisboa: Fim de Século

Olga Pombo (Ed.), Da Civilização da Palavra à Civilização da Imagem. Lisboa: Fim de Século

Alberto Faria, A Colecção de Desenho Anatómico da Faculdade de Belas-Artes de Lisboa (1830-1935). Lisboa: CFCUL

 

:: Philosophy of Image

BOEHME G. (1999), Theorie des Bildes, Fink, Munchen.

GADAMER, H.-G. (1960), Warheit und Methode, Mohr, Tubingen.

GOMBRICH, E. H, (1994), Das forschende Auge: Kunstbetrachtung und Naturwahrnehmung, Campus-Verl. - Ed. de la Fondation - Edition Pandora, Frankfurt/Main ; New York ; Paris.

MAAR, C.; BURDA, H. (2005), Iconic Turn. Die Neue Macht der Bilder, DuMont Literatur und Kunst Verlag, Koln.

RHEINBERGER, H.-J. (2001), Objekt und Reprasentation, in Heintz, Bettina & Jorg Huber (eds.), Mit dem Auge denken: Strategien der Sichtbarmachung in wissenschaftlichen und virtuellen Welten. Voldemeer, Zurich, pp. 55-61.

Praparate - "Bilder" ihrer selbst, Akademie-Verlag, Berlin.


:: The anthropological, symbolical-theoretical and formal approaches

BELTING H. (2001) Bild Anthropologie, Fink, Munchen.

GOODMANN N. (1976), Languages of art: an approach to a theory of symbols, Hackett, Indianapolis.

WIESING L. (2005), Artifizielle Praesenz, Suhrkamp, Frankfurt aM.

WIESING L.(1997), Die Sichtbarkeit der Bilder. Geschichte und Perspektiven der formalen Asthetik, Reinbek bei Hamburg.


:: Epistemological perspective

HACKING I. (1983), Representing and Inventing, Cambridge Univ. Press Cambridge.

PUTNAM H. (1988), Representation and Realit", MIT Press, Cambridge.

GALISON P. (1997) Image and Logic, Univ. of Chicago Press, Chicago.

GALISON P. (2002) Images scatter into Data, Data gather into images in Bruno Latour e Peter Weibel (Eds) (2002), Iconoclash. Beyond the Image Wars in Science, Relig-ion, and Art. Karlsruhe, Cambridge, pp. 300-323.

DASTON, L. e GALISON, P. (1992), The Image of Objectivity, in Representations 40, pp. 81-128.

 

:: Image and Diagrammatic thinking

HOFFMANN, M. (2001), "Peirces "Diagrammatic Reasoning" as a solution of the learning paradox", in Process Pragmatism: Essays on a Quiet Philosophical revolution, Amsterdam , pp. 121-143

HOFFMANN, M. (2004), "How to get it. Diagrammatic Reasoning as a Tool of Knowledge Development and its Pragmatic Dimension", Foundation of Science, 9, pp. 285-305.

GIAQUINTO (1993), Visualizing in Arithmetic, Philosophy of Phenomenologial Research (53) 385-396.

KENT, B. (1997), "The Interconnectedness of Peirce´s Diagrammatic Thought " in Studies in the logic of Charles Sanders Peirce, Indiana, pp. 445-459

KETNER, K. (1986) "Peirces Most Lucid and Interesting Paper: an Introduction to Cenopythagoreanism", International Philosophical Quarterly, 26, pp. 375-392

STRAFFORD, B. (1999), Visual analogy. Counsciousness and the art of connecting, MIT Press, London

TUFTE, E. R. (1983), The visual display of quantitative information, Graphics Press, Cheshire

POMBO, O. (1987), Leibniz and the problem of a universal language, Munster: Nodus Publikationen, l987

POMBO, O. (1990), The leibnizian theory of representativity of the sign, in Niederehe, Hans-Joseph and Koerner, Konrad (eds), History and Historiography of Linguistics, vol. II, Amsterdam / Philadelphia: John Benjamins, pp. 447- 459

POMBO, O. (1996) Leibnizian strategies for the semantical foundation of the universal language, in Klaus D. Dutz e Stefano Gensini (eds.) Im Spiegel des Verstandes. Studien zu Leibniz, Munster, 161-171

POMBO, O. (1998), La theorie leibnizienne de la pensee aveugle en tant que perspective sur quelques-unes des apories linguistiques de la modernite, Cahiers Ferdinand Saussure, n. 51, 63-75

SHIN, S.-J. (2004), Heterogenous Reasoning and its Logic, The Bullettin of Symbolic Logic (10) 86-106.

TOPPER, D. (1996), Towards an Epistemology of Scientific Illustrations, in Baigre, B. S. (ed.) (1996) , in Picturing Knowledge. Historical and Philosophical Problems Concerning the Use of Art in Science, University of Toronto Press, Toronto 215-249.

 

:: From word civilization to image civilization

MCLUHAN, M.; FIORE, Q.; AGEL, J., (1967), The Medium is the Massage: An Inventory of Effects, New York.

VIRILIO, P. (1988), La Machine de Vision: Essai sur les Nouvelles Techniques de Representation, Galilee, Paris.

LEVY, P. (1994), L Intelligence Collective. Pour une Anthropologie du Cyberspace, La Decouverte, Paris.

SARTORI, G. (1998), Homo Videns : Televisione e Post-Pensiero, Laterza, Roma / Bari.

 

:: Philosophical studies on image between art and science

BACHELARD, G. (1942), L eau et les reves : essai sur l imagination de la matiere, Jose Corti, Paris.

BACHELARD, G. (1948), La terre et les reveries du repos : essai sur les images de l intimite, Jose Corti, Paris.

BACHELARD, G. (1957), La Poetique de l Espace, P.U.F., Paris.

GIL, D. (1993), Bachelard et la culture scientifique, P.U.F, Paris.

GAGEY, J. (1969), Gaston Bachelard ou la conversion a l imaginaire, Marcel Riviere et Cie., Paris.

DELEUZE, G. (1988), Le Pli - Leibniz et le baroque, Minuit, Paris.

DELEUZE, G. (1981), Francis Bacon, logique de la sensation, Edition de la difference, Paris.

DELEUZE, G. (1983-85), Cinema 1 and Cinema 2, Minuit, Paris.

RODOWICK, D.N., (ed.) (1997), Gilles Deleuze. Philosopher of the Image. Iris 23, no. 1 (Special Monographic Issue).

 

:: The art of scientific image

HARRIS, H. (1979), Scientific models and man, Clarendon Press/Oxford Univ. Press, New York/Oxford.

FORD, B. (1992), Images of Science. A History of Scientific Illustration, British Library, London.

VALENTE ALVES, M. e BARBOSA, A. (ed) (2004), Circulacao/Circulation, Lisboa.

VALENTE ALVES, M., (2005). Passagens. 100 Peças para o Museu de Medicina, Lisboa.


 

:: Historical Studies on image between science and art

LEONARDO DA VINCI (2002), Scritti [1512], editado por Carlo VECCE, Mursia, Milano

VECCE, C. (2005), Leonardo da Vinci, Verbo, Lisboa

VIATTE, F. e FORCIONE, V. (2003), Leonard de Vinci : dessins et manuscrits, Ed. Musee du Louvre, Paris

KEMP, M. (ed.) (2001), Leonardo on painting, Yale Univ. Press, New Haven

VESALIUS, De humani corporis fabrica [1543], Bale, Johannes Oporinus, 2nd edition, 1555

CUSHING, H. W. (1986), A Bio-Bibliography of Andreas Vesalius, St. Paul s Bibliographies, Winchester

DARWIN, C. (1872), The Expression of the Emotions in Man and Animals, John Murray, London

PRODGER, P. (1998), "Illustration as Strategy in Charles Darwin s "The Expression of the Emotions in Man and Animals", in Timothy Lenoir (ed), Inscribing Science, Stanford, pp.140-181

SMITH, J. (2006), Charles Darwin and Victorian Visual Culture, Cambridge Univ. Press, Cambridge/NY

GOETHE, J. W. (2003), A Metamorfose das Plantas, trad. de F. Molder, IN - Casa da Moeda, Lisboa

MOLDER, F. (1995), O Pensamento Morfologico de Goethe, IN - Casa da Moeda, Lisboa

 

:: Scientific Illustration


ACKERMAN , James. Early Renaissance "naturalism" and scientific illustration, pp.1-17, in: ELLENIUS, Allan (ed.), The natural sciences and the arts. Uppsala, 1985.

ALMACA, Carlos. A expedicao filosofica de Alexandre Rodrigues Ferreira no contexto historico-natural da sua epoca, in: Ciclo de conferencias Viagem Filosofica de Alexandre Rodrigues Ferreira. Lisboa: Academia da Marinha, 1992.

ALMEIDA, I. C.; LINO, R. A. O Rinoceronte: Pegadas na Torre. Lisboa: Torre de Belem, 1992.

ASHWORTH, William B. The persistent beast: recurrent images in early zoological illustration, pp.46-66, in: SHIRLEY, John W.; HOENIGER, F. David (eds.), Science and the Arts in the Renaissance. Washington, D.C.: Folger Shakespeare Library, 1985

BAIGRIE, Brian S. (ed.). Picturing knowledge: historical and philosophical problems concerning the use of art in science. Toronto; Buffalo: University of Toronto Press, 1996.

BROTERO, Felix Avelar. Compendio de Botanica. Paris, 1788.

JONES, Caroline A.; GALISON, Peter (eds.). Picturing Science, Producing Art. New York: Routledge, 1998.

CASTANHEDA, F. Lopes da, Historia do Descobrimento da India pelos Portugueses, Vol. 2, Coimbra, 1552.

CASTILHO, J. A Ribeira de Lisboa, Vol. 2. Lisboa, 1941-48.

CLARKE, T. H. The Rhinoceros from Durer to Stubbs, 1515-1799. Sotheby, 1986.

CLUSIUS, Carolus. Aromatum et simplicium aliquot medicamentorum apud indosnascentm historia.... Antuerpiae, 1567.

COLE, F. J. The History of Albrecht Durer s Rhinoceros in Zoological Literature, in UNDERWOOD, E. A. (ed) Science, History and Medicine, Science, History and Medicine; Essays on the Evolution of Scientific Thought and Medical Practice Written in Honour of Charles Singer, pp. 337-356. Oxford: Oxford University Press, 1953.

CORTESAO, Jaime. Do sigilo nacional sobre os descobrimentos. Cronicas desaparecidas, mutiladas e falseadas, alguns dos feitos que se calaram. Lusitania 1: 45-81, 1925.

COSTA, A. Fontoura da, Les deambulations du rhinocéros de Modofar. Lisboa,1973. 

COSTA, Cristovao da. Tratado delas Drogas y medicinas de las Indias Orientales, con sus plantas debuxadas al bivo por Christoval Acosta medico y cirujano que las vio ocularmente. Burgos, 1578.

DASTON, Lorraine; GALISON, Peter. The Image of Objectivity, Representations 40: 81-128, 1992.

DICKENSON, Victoria. Drawn from Life: Science and Art in the Portrayal of the New World. Toronto: University of Toronto Press, 1998.

DOMINGUES, Angela, Viagens de exploracao geografica na Amazonia em finais do seculo XVIII: politica, ciencia e aventura. Funchal: Secretaria Regional do Turismo, Cultura e Emigracao; Centro de Estudos de Historia do Atlantico, 1991.

DOMINGUES, Angela, Um novo conceito de Ciencia ao servico da Razao de Estado: A viagem de Alexandre Rodrigues Ferreira ao Norte Brasileiro. In: Ciclo de conferencias Viagem Filosofica de Alexandre Rodrigues Ferreira. Lisboa: Academia da Marinha, 1992.

FARIA, Miguel Figueira de, A Imagem Util, Jose Joaquim Freire (1760-1847) desenhador topografico e de historia natural. Lisboa: Universidade Autonoma de Lisboa, 2001.

GANDAVO, Pero de Magalhaes de, Historia da provincia Santa Cruz a que vulgarmente chamamos Brasil. Lisboa: Assirio & Alvim, 2004.

IRIA, Alberto, Prefacio, pp. v-xii. In LISBOA, Frei Cristovao, Historia dos Animais e Arvores do Maranhao. Lisboa: Arquivo Historico Ultramarino, 1967.

JOHNS, Adrian. Johns, The Nature of the Book: Print and Knowledge in the Making. Chicago and London: The University of Chicago Press, 1998.

KAPIL, R. N.; BHATNAGAR, A. K. Portuguese Contributions to Indian Botany ISIS 67: 449-452, 1976

KEMP, Martin. "The marks of truth": looking and learning in some anatomical illustrations from the Renaissance and eighteenth century, in: BYNUM, W.F.; PORTER, R. (eds.). Medicine and the five senses, pp.85-121. Cambridge and New York: Cambridge University Press, 1993.

KUSUKAWA, Sachiko. Leonard Fuchs on the Importance of Pictures. Journal of the History of Ideas 58: 403-427, 1997.

LACH, D. F., Asia in the Making of Europe, Vol. 2, Book 1. Chicago: Chicago University Press, 1970.

LEITE, M. F. P. Le debarquement, pp. 145-146, in: LEITE, M. F. P. (ed.) Feitorias. L’art au Portugal au temps des grandes decouvertes. Antwerpen: Fondation Europalia International, 1991.

MARTINS, J. V. de Pina. O livro Portugues no Reinado de D. Manuel I. Panorama 32: 58-75, 1969.

MAZZOLINI, Renato G. (ed.). Non-verbal communication in science prior to 1900. Firenze: Olschki, 1993.

MITCHELL, W.J.T. (1998), The Last Dinosaur Book. The Life and Times of a Cultural Icon, Univ. of Chicago Press, Chicago.

PLINIO, Natural History. Loeb Classical Library, 1956.

RAY, John. Correspondence, London, 1848.

RUDWICK, Martin, The emergence of a visual language for geological science, 1760-1840. History of Science 14: 149-195, 1976 

SALGADO, P. (2001), O desenho científico - ilustracao botanica, in A Natureza Mestra das Artes, Casa da Cerca - Centro de Arte Contemporanea.

SALGADO, P. (1999), Historias de ilustracao e de Historia Natural, in Instantes, Escola Superior de Arte e Design, Lisboa.

SALGADO, P. (1998), A arte de comunicar ciencia, Catalogo oficial do Pavilhao dos Oceanos, EXPO98, Lisboa.

SAUNDERS, Gill, Picturing Plants: An Analytical History of Botanical Illustration. London: Zwemmer; The Victoria and Albert Museum, 1995.

SOARES, E. Evolucao da Gravura de Madeira em Portugal, seculos XV a XIX. Lisboa: Camara Municipal de Lisboa, 1951.

WALTER, Jaime, Estudo, pp. 9-31. In: LISBOA, Frei Cristovao, Historia dos Animais e Arvores do Maranhao. Lisboa: Arquivo Historico Ultramarino, 1967.

ZWEIFEL, F. W. (1988), A Handbook of Biological Illustration, Univ. Of Chicago Press, Chicago.

 

:: Anatomical drawing and drawing the nude - the body between science and art

BRANCO, C., (2005), O gesto capaz de esculpir a palavra, in M. Valente Alves (ed), Passagens. 100 Pecas para o Museu de Medicina, Museu Nac. de Arte Antiga,

GORDON, L. (1979), Desenho Anatomico, Editorial Presenca, Lisboa.

OLMI, G. (2004), Rappresentare il corpo. Arte e anatomia da Leonardo all Illuminismo, Bononia Univ. Press, Bologna.

HIRSCH, G. (1950), Art Anatomy and figure drawing. A study of the human figure, Major Book Co., New York.

SMITH, R. (1996), Desenhar a figura humana, Editorial Presenca, Lisboa.

TAVARES, C. A., (1989), Da clarividencia do desenho ao desenho clarividente, in Ver desenho hoje III / As irresolucoes resolvidas, Galeria Mun. de Arte de Almada.

TAVARES, C. A., (2001), As artes plasticas em Portugal no sec. XX, in Silvia Ferrari, Guia de Historia da Arte Contemporanea, Lisboa.

TAVARES, C. A., (2002), Miguel Lupi e a figura como condicao da pratica artistica, in Catalogo da Exposicao Miguel Angelo Lupi, Museu do Chiado, 2002.

 

:: Neuroaesthetics

KOSSLYN, S. (1996), Image and Brain, MIT Press, Cambridge

LIVINGSTONE, M. S. (2002), Vision and Art: The Biology of Seeing, Harry N. Abrams, New York

RAMACHANDRAN, V. S. and HIRSTEIN, W. (1999), "The Science of Art: A Neurological Theory of Aesthetic Experience", Journal of Consciousness Studies, 6, pp. 15 - 51

ZEKI, S. (1993), Vision of the Brain, Blackwell Science, Oxford

ZEKI, S. (1999), Inner Vision. An Exploration of Art and the Brain, Oxford Univ. Press, Oxford / New York



 

 

[ ADQUIRED BOOKS ]

 

Adrian Johns (1998), The Nature of the Book - Print and Knowledge in the Making, Chicago: The University of Chicago Press

Brian S. Baigrie (ed.)(1996), Picturing Knowledge - Historical and Philosophical Problems Concerning the Use or Art in Science, Toronto / Buffalo / London: University of Toronto Press

Caroline A. Jones and Peter Galison (eds.) (1998), Picturing Science Producing Art, New York: Routledge

Darwin, C. (2006), A Expressão das Emoções no Homem e nos Animais, Lisboa: Relógio D'Água Editores

Deleuze, G. (1988), LE PLI - Leibniz et le Baroque. Paris: Les Éditions de Minuit

Dilworth, C. (2006), The Metaphysics of Science - An Account of Modern Science in Terms of Principles, Laws and Theories, Dordrecht: Springer

Ford, B. J. (1992), Images of Science - a history of scientific illustration, London: The British Library

Gil, P. D. (1993), Bachelard et la culture scientifique, Paris: Philosophies

Gill Saunders (1995), Picturing Plants - an Analytical History of Botanical Illustration, California: University of California Press

Gyorgy Darvas (2007), Symmetry. Cultural-Historical and Ontological Aspects of Science - Arts Relations (trad. inglesa por David Robert Evans), Basel / Boston / Berlin: Biskhauser

Hodge, Jonathan (2003), The Cambridge Companion to Darwin, UK: Cambridge University Press

Houser, N., Roberts, D. D. and Evra, J. V. (eds.) ( 1997), Studies in the Logic of Charles Sanders Peirce, Bloomington and Indianapolis: Indiana University Press

Jonathan Smith (2006), Charles Darwin and Victorian Visual Culture, Cambridge: Cambridge University Press

Lenoir, T. (ed.) (1998), Inscribing Science - Scientific Texts and the Materiality of Communication, Stanford: Stanford University Press

Mimi Cazort, Monique Kornell and K. B. Roberts (1996), The Ingenious Machine of Nature - Four Centuries of Art and Anatomy, Ottawa: National Gallery of Canada

Mitchell, W. J. T. (1998), The Last Dinosaur Book, London: The University Chicago Press

Shirley, J. W. and Hoeniger, F. D. (1985), Science and the Arts in the Renaissance, Washington: The Folger Shakespeare Library

Soraya de Chadarevian and Nick Hopwood, (2004), Models - the Third Dimension of Science, Stanford: Stanford University Press

Stafford, B. M. (2001), Visual Analogy - consciousness as the art of connecting, Massachussets: The MIT Press

W. F. Bynum and Roy Porter (eds.)(1993), Medicine and the Five Senses, Cambridge: Cambridge University Press

Zweifel, F. W. (1988), A Handbook of Biological Ilustration, Chicago: The University of Chicago Press

 

 

[ OTHER BOOKS ]

Arnheim, Rudolf (1989) Intuição e intelecto na arte. São Paulo, Martins Fontes.        

Blunt, Wilfrid, Stearn, William (1994) The art of botanical illustration. Londres, Antique Collectors' Club.        
 
Danse, S. Peter (1990) The art of natural history. Nova York, Arch Cape Press.  
      
Durand, Gilbert (1998) O imaginário: ensaio acerca das ciências e da filosofia da imagem. Rio de Janeiro, DIFEL.      
  
Ford, Brian J. (1992) Images of science. A history of scientific illustration. Londres, The British Library.        

Gombrich, Ernst Hans (1999) The use of images. Studies in the social function of art and visualcommunication. Londres, Phaidon.    
    
Gombrich, Ernst Hans (1996) Art & illusion. A study in the psychology of pictorial representation. Londres, Phaidon.   
     
Gombrich, Ernst Hans (1982) The image & the eye. Further studies in the psychology of pictorial representation. Londres, Phaidon.     
   
Joly, Martine (1977) Introdução à análise da imagem. Campinas, Papirus.  
      
Linné, Carl von 1758-1759 Systema naturae per regna tria naturae, secundum classes, ordines, genera, species, cum characteribus, differentiis, locis. 2 vol. 10ª ed. Estocolmo, Impesis Direct. Laurentii Salvii.      
 
Rix, Martin (1981) The art of botanical illustration. Londres, Cameron Books.     
   
Ronan, Colin A. (1987) Das origens à Grécia. Em C. A. Ronan, História ilustrada da ciência, vol. 1. Rio de Janeiro, J. Zahar.     
   
Ronan, Colin A. (1987) Da Renascença à revolução científica. Em C. A. Ronan, História ilustrada da ciência, vol. 3. Rio de Janeiro, J.
Zahar.     

Stelarc (1997) Das estratégias psicológicas às ciberestratégias: a protética, a robótica e a existência remota. Em D. Domingues, A arte no século XXI. São Paulo, Unesp, pp. 52-62.    
   
Woods, Gerald, Thompson, Philip e Williams, John (1972) Art without boundaries. 1950-70. Londres, Thames and Hudson.

 


 

 

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